Showing posts with label Drawing. Show all posts
Showing posts with label Drawing. Show all posts

Thursday, October 24, 2013

Spooky Halloween Trees: Art for Primary Children


Here is a quick halloween activity
 for primary students.




Firstly, grab some A3 paper in white or yellow. 
Blue could work nicely too.
Find a circular object and trace around it to make the moon.

We discussed that a centred moon
 does not make a terribly interesting composition.



Now for the fun... charcoal experimentation!
Students were challenged to try using their charcoal sticks
from all angles and create all manner of marks.
This gets a lot of their system as well as being fruitful.

Then I demonstrated how to create variety of tone
 by varying the pressure, using smudging etc. 
They filled in the background, except the moon.

Ink time!
Brushes, nibs, sticks.
More experimentation time.
When it was time to move on,
they used ink to create a tree.

Trees always look easy peasy,
 but actually can be quite challenging for some.
Its important to discuss overlapping,
and the change in the thickness as the tree branches out.


 Many students just put the tree to one side,
 but I like the way this student is playing with position and composition.


Finally, an introduction into light sources.

Turning the fluros on and off in the classroom
and noting how it changes the light on our faces and the objects around us.

We noted that in our spooky pictures

the moon was our light source.
We used a waxy white pencil and simple lines to highlight the branches and trunk of the tree.


A simple line on the underside or top side of the branch
 was all that was required to make the trees extra spooky.


What else?

Add a eerie bird. 
Take a photo of the image and play with filters.
Create a new foreground.
Or, simply put it up for halloween!



Boo everybody!











Sunday, April 7, 2013

My Embroidery Learning curve

I have been teaching myself 
free-motion machine embroidery
and really enjoying the process.

This is my chronological embroidery journey.....











So that's is it in a nutshell.
Some of it is on Etsy and some I am putting in
Reverse Garbage's upcoming exhibition
"Thread Count".

If you want to keep up I post much more regularly on Facebook and instagram (elle and lou).

Saturday, November 26, 2011

Cursory Observations

I wonder how many people have walked past this ....


its Quebec...
 but I'm not talking about the place, I'm talking about the book
"Cursory Observations made in Quebec, 1811"
As the title suggests it was written in 1811.
This copy is from 1960.



"Where are you from then?
exclaimed ten or twelve voices at once;-
From the clouds, gentlemen:-
By what conveyance?-
A balloon, gentlemen; which, if you had taken notice, landed me amongst the Hogs, and re-ascended most majestically;-
You stare, gentlemen; but it's very true."





The pages are a beautiful golden colour.
It has a wonderful smell that reminds me of a university library.

For $2 at Lifeline, it is a sensory bargain!

I hope I don't offend anyone here, but, I intend to use it for drawing and printing on-
so it lives on and can be shared and appreciated (hopefully) by many.
It is damaged in places so I don't feel too guilty about repurposing it.

The terrible photo below (sorry about that)
gives you an insight into where
Cursory Observations and I are headed...


"And now I take leave of my Readers;
informing them truly, that altho' I hope they are not fatigued
 or disgusted by the perusal of this little tract; 
yet they may rest assured I am perfectly happy it is finished."





Tuesday, November 15, 2011

Stencilling and mixed Media

I'm not really sure if work days get any better than last Friday!

Once again, I had the good fortune to attend a workshop
 by Chris Stuart (Fine Artz Studio) focussing on Mixed Media.

Chris showed us many tricks of the trade with transfer techniques. 
All of which were wonderfully adaptable in the classroom and my own work!
But the highlight of the day was the insight I gained into the potential of stencil work.


Can't claim fame to this one unfortunately- this is by the lovely Lucy...
..and this is just part of the work.


We began the whole process by playing around with different stencils
 from a variety of places and we even cut some of our own from a product called ezi-cut.


As you can see we are reminded about the positive and negative,
 and the mirror image of a stencil to provide variation with repetition.




Chris gave us a sheet of watercolour paper which she had prepared with inks.
I really like this starting point because to me,
 there is nothing more distracting than a white surface.


 Lucy strikes again-look at the pattern in the black bird!


We applied our stencils with gesso: layering, using sponges, using rollers .
Then, we applied inks for colours.


We repeated this process over and over..
 blocking out areas... 
creating new areas...
adding & subtracting...
layer upon layer upon layer.

Can't claim fame this one either, unfortunately-this is by Marvelous Marcus!

Now... I'm no Banksy...


..but this process is totally addictive....
 and cathartic...
I really get it!



And if that isn't enough, when you are finished doing all of that stencilling,
you can work over it with pastels, or pens, or crayons...
pick your creative weapon of choice.

This one is mine. 


Tomorrow it is Friday once more...
 and so it's time for a wine whine...


Awww, I wish I was going to another Fine Artz workshop!


Thanks Chris.



Linking up this Elle and Lou post with:


Thursday, July 7, 2011

Atlas Journaling: drawing hints from an eco artist

Sometimes a white blank canvas is so stark it almost stifles creativity and mark-making.
So I've binned the whole pristine visual journal concept and have replaced it with....the humble atlas.


Mine is the Road Atlas of Australia 7th Edition. It is circa 1980's -the kind of atlas I had at primary school. It was such an unloved book that it was in the "Free, please take" bin at a Rotary book sale (sniff).





These sketches are just observations with a sharpie and pencils. The lines of the roads in the background provide great distraction, omitting the need for perfection. The maps provide an additional layer of interpretation. 


I would try this style of drawing journal with a written book too, as text works wonderfully with illustration e.g my previous dragonfly work.


Dragonfly Project Link
A great benefit of atlas journaling is that any drawing can simply be torn out and framed. The other benefit is that you are recycling....yeah eco-art materials!


Incidentally, the works are from our recent holiday in the Bunya Mountains, a rainforest smack bang in the middle of country Queensland- who would have thought?